Showing posts with label Oscar-winner Helen Mirren. Show all posts
Showing posts with label Oscar-winner Helen Mirren. Show all posts

People's Choice Awards 2011

And the people have spoken! 'Twilight' trumped 'Inception,' Kristen Stewart beat out Angelina Jolie AND Jennifer Aniston, and Johnny Depp told Taylor Swift his daughter said 'hey' - only at the People's Choice Awards.

Queen Latifah hosted a fete filled with awkward moments (Why did Adam Sandler have that black eye? What was up with Zac Efron's Eminem-like swagger? Why didn't Jane Lynch notice the Gleeks behind her?) and plenty of surprise wins.

But the awards season's inaugural ceremony brought out some of the movie, TV and music industry's brightest stars, and if the night was any indication, the 2011 awards season is going to be one hell of a ride.

(source:nydailynews.com)

Oscar de la Renta!; Behind the scenes of Elisabeth’s job swap and see “Fashion Friday”

This Friday “The View” has something special stored for you. You get to watch the gorgeous Catherine Zeta-Jones talking about her Broadway musical plus you will taken behind the scenes of Elisabeth’s job swap and the biggest treat of them all – “Fashion Friday” with Oscar de la Renta.

Dominican/Puerto Rican, Oscar de la Renta is one of the world’s leading fashion designers
It all started in 1963, when in Paris, when Oscar realized that the future of fashion was not in haute couture, but in ready-to-wear – so he set off for America. But in New York, at the advice of Diana Vreeland, then Editor-in-Chief of Vogue, he returned to couture designing Elizabeth Arden’s custom-made clothing line. As Arden was known for beauty, not fashion, she promoted Oscar’s name on the label so that he was able to gain public recognition which paved the way for what was to become his own groundbreaking venture of the Oscar de la Renta signature ready-to-wear label, just two years down the road.

Oscar de la Renta’s Bridal collection, that was launched in 2008 gained huge recognition as the dresses featured extraordinary embroideries and beautiful fabrics, from silk duchess to French Alençon lace.

Oscar de la Renta is one of the leading design houses in the world today. The company has seen an influx of great young talent, as it continues to grow and expand as a global brand. His son-in-law Alex Bolen operates as Chief Executive Officer, step-daughter Eliza Bolen serves as Creative Director of Licensing, and his son Moises de la Renta works in the Design Studio.

Source:entertainmentandshowbiz.com/

The resignation of Oscar Lafontaine and the crisis of the Left Party

The decision by Oskar Lafontaine to resign as chairman of the Left Party and give up his parliamentary seat has thrown the party into a deep crisis.

Lafontaine declared that his decision was based “exclusively on health reasons.” In December, he had an operation to deal with a cancer condition. The operation was successful, but his state of health meant that he was advised to limit his political activity. Therefore, Lafontaine stated last weekend he intended to restrict his work to the state parliament in Saarland, where he also sits as a deputy. He gave no details on his state of health. Media reports state his prostate gland illness was recognised and treated in time.

The state of health of Lafontaine is insufficient, however, to account for the profound state of crisis in the party that he played a major role in founding. In reality, his resignation is confirmation that his political conceptions have failed.

Lafontaine already has one resignation behind him. Eleven years ago, he resigned from his posts as chairman of the Social Democratic Party, federal finance minister, and vice-chancellor of the SPD-Green coalition following fierce pressure from business circles. When chancellor Gerhard Schröder (SPD) stressed that he would not implement any policies against the interests of big business and the banks, Lafontaine resigned without putting up any sort of fight, leaving Schröder and the rest of the SPD leadership to press ahead with massive attacks on the working class in the form of the government’s Agenda 2010.

Lafontaine only returned to political life after huge numbers of SPD members and voters turned their backs on the party. The decay of social democracy was greeted with alarm signals by significant layers of the bourgeoisie—after all, the SPD had played a crucial role in maintaining bourgeois order in Germany for nearly a century. In 1918, it was the SPD that ensured the survival of capitalism after the emperor had been swept from his throne. After the Second World War, the SPD defended private property and the orientation to the West. Following the student revolts and spontaneous strikes of 1968/1969, it was SPD leader Willy Brandt who defused the protests.

Lafontaine’s goal was to prevent the decline of the SPD. To this end, he organised the merger of the Election Alternative for Jobs and Social Justice (WASG) in west Germany—a repository of disillusioned social democrats and trade union bureaucrats—with the Party of Democratic Socialism, which emerged from the east German Stalinist party, possessed a large party apparatus and had numerous mandates in east German state and municipal administrations.

From the outset, the new party was characterised by deep divisions. In east German states, the newly formed Left Party used its political influence and mandates to enforce the radical social attacks embodied in Agenda 2010, while Lafontaine toured the country employing leftist clichés to denounce social cuts and job reductions. The Left Party never had a genuine programme. Lafontaine’s oppositional poses were of a purely rhetorical nature based on maintaining social-democratic illusions for as long as possible. Wherever the Left Party assumed office, its politics were indistinguishable from the SPD and conservative parties.

Lafontaine’s main project was a future coalition between the SPD and Left Party at a federal level aimed at preventing any broad popular mobilisation against the political elite. It is no coincidence that Lafontaine saw himself as the political heir of Willy Brandt. Brandt had received his political training before the war in the centrist Socialist Workers Party before becoming mayor of Berlin after the war. He then took over as vice-chancellor of a grand coalition of conservative parties and the SPD before finally assuming the post of chancellor. As chancellor, he was able to largely dissipate the 1968 protest movement, which had also won the support of broad sections of workers, by promising more democracy and social reforms.

Lafontaine also has considerable experience in defusing social crises. As longtime prime minister of Saarland he succeeded in closing down swathes of the state’s steel and mining industries without provoking a social rebellion.

Now, Lafontaine’s plans have been thwarted by the collapse of the international financial system and the consequent economic crisis. His social-reformist demagogy became completely untenable. He had nothing more to offer in the way of a solution to the social injustices he addressed in his speeches than appeals to the German constitution, which refers to the social responsibility attached to wealth. Any prospect that one could return to the sort of reformist policies pursued 40 years earlier by Willy Brandt was rendered absurd on a daily basis by the devastating consequences of the economic crisis.

Lafontaine’s attempts to form a coalition with the SPD at a state level in Saarland and in Thuringia as preparation for a federal government participation also collapsed after the SPD in Thuringia and the Greens in Saarland decided to form coalitions with the Christian Democratic Union. The only state to produce an SPD-Left Party coalition was Brandenburg, on a programme based on the slashing of one in five public service jobs.

Tensions had been mounting in the Left Party long before Lafontaine’s cancer condition became public. In the east, where the party is deeply integrated into the state apparatus, Lafontaine’s populist rhetoric was increasingly regarded as disruptive, while in the west the party feared it could lose its credibility much too quickly if it too readily identified itself with the austerity policies of the German government.

The tensions then erupted in an open conflict between Lafontaine and the Left Party secretary, Dietmar Bartsch. Bartsch, whose power base rested in the east of the country, was accused by western party circles of spreading rumours about an extramarital affair by Lafontaine. In the end, Bartsch was forced to resign following pressure from Lafontaine. Now, Lafontaine has also thrown in the towel. His departure will only intensify tensions in the Left Party, as is already apparent from the conflicts emerging over who should take his place.

With a party congress due in May, the leadership hoped it could dispense with its existing compromise solution of a dual leadership drawn equally from the east and west of the country. But frictions are so advanced that the latest proposal for a new leadership involves not only two new chairpersons (once again representing east and west), but also two party secretaries.

The decision for the two future chairpersons makes clear the future orientation of the party. The former Stalinist functionary Gesine Lötzsch from Berlin has regularly supported the right-wing policies of the capital city’s Senate (also a coalition of the Left Party and SPD), while the western candidate Klaus Ernst is a full-time official for the IG Metall engineering union and typifies that layer of bureaucrats who have long since adopted the role of company co-managers.

The future of the Left Party remains open. What is clear is that, based on its past, the party will inevitably react to this latest crisis by striving even harder to demonstrate its credentials as a force for the stabilisation of the capitalist order.

Source:wsws.org/

New on DVD: Oscar-winner Helen Mirren on view in British miniseries

Hollywood,CA (Hollywood Today) 1/26/2010–With Oscar season heating up, it’s a treat to watch SAG Best Actress nominee Helen Mirren (“The Last Station”) deliver a tour-de-force performance in “Painted Lady.” The Academy Award-winning thesp, who stripped to the buff for her 1969 film debut opposite James Mason in “Age of Consent,” snatched an Oscar, a Golden Globe, a BAFTA, a SAG Award and a Venice Film Festival trophy for her performance in “The Queen” three seasons back.

Mirren is a retired rock singer-turned-sleuth in “Painted Lady,” a British miniseries seen here on PBS’ “Masterpiece Theatre.” When a friend is killed and one of his priceless paintings stolen, Mirren finds herself in the murky underworld of the art trade attempting to recover the canvas and solve the murder. (Available from Acorn Media).

Ever wonder where Mel Brooks got the idea for “The Producers” ? One possible source has been rediscovered for “Avant-Garde 3: Experimental Cinema 1922-1954,” a volume of short films from the collections of Raymond Rohauer—who did much to revive Buster Keaton’s legacy during his lifetime—and the George Eastman House. “Schichlegruber Doing The Lambeth Walk,” a brief re-edit of documentary footage that anticipates “The Producers” in its musical mockery of Hitler, is among the highlights.

Also included are a 1928 adaptation of “The Tell Tale Heart” by Edgar Allan Poe; a surreal color short featuring Los Angeles painter Llyn Foulkes in his studio; and playful bits of animation by Mary Ellen Bute (“Tarantella”) and John Whitney (“Celery Stalks at Midnight,” with a jazz score by Will Bradley). (Available from Kino International).

“On the Road with Charles Kuralt” reprises an Emmy-winning CBS series hosted by the celebrated journalist who was a master in the art of travel. Kuralt had the nose of a bloodhound when it came to sniffing out a good story; he seeks out the odd and obscure in these episodes, foreshadowing both the current trend in reality shows and the increasing popularity of travel off the beaten path.

Among the 77 segments Kuralt serves up in this set are ones featuring railroad enthusiasts, a retired circus bandleader, a man who patented a thumb-twiddling device, and a group of seniors with the proud distinction of having built the Golden Gate Bridge. (Available from Acorn Media).

Source:hollywoodtoday.net/
 
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