Showing posts with label Oscar-winner Danny Boyle. Show all posts
Showing posts with label Oscar-winner Danny Boyle. Show all posts

People's Choice Awards 2011

And the people have spoken! 'Twilight' trumped 'Inception,' Kristen Stewart beat out Angelina Jolie AND Jennifer Aniston, and Johnny Depp told Taylor Swift his daughter said 'hey' - only at the People's Choice Awards.

Queen Latifah hosted a fete filled with awkward moments (Why did Adam Sandler have that black eye? What was up with Zac Efron's Eminem-like swagger? Why didn't Jane Lynch notice the Gleeks behind her?) and plenty of surprise wins.

But the awards season's inaugural ceremony brought out some of the movie, TV and music industry's brightest stars, and if the night was any indication, the 2011 awards season is going to be one hell of a ride.

(source:nydailynews.com)

Box Office: AVATAR, New Releases, Oscar Movies

According to estimates provided by Box Office Mojo, Lasse Hallström’s romantic tearjerker Dear John, starring Channing Tatum and Amanda Seyfried, topped the domestic box-office this weekend, with $32.4 million in ticket sales. Avatar came at a distance second, with $23.6 million. James Cameron’s 3D sci-fier has grossed a total of $630 million after 52 days.

The $52 million John Travolta-Jonathan Rhys Meyers vehicle From Paris with Love earned a paltry $8.1 million ($2,983 per screen) on its opening weekend. Following in fourth place was Mel Gibson’s Edge of Darkness with $7 million, a 59.3 percent drop from the previous weekend. The $80 million revenge thriller has earned a very disappointing $29m after ten days.

At #5, Dwayne Johnson’s The Tooth Fairy, co-starring Julie Andrews, had a — relatively speaking — surprisingly low attendance drop rate from last weekend: 35 percent. The fantasy comedy earned $6.5m for a total of $34 million after two and a half weeks.

The Kristen Bell-Josh Duhamel romantic comedy When in Rome was #6 with $5.5m, a 55.4 percent drop from last week, followed by Denzel Washington’s post-apocalyptic drama The Book of Eli with $4.8m (45.7 percent drop). Jeff Bridges‘ Crazy Heart, now playing at 813 theaters, was #8 with $3.6m, a good $4,457 per screen. Legion was next with $3.4m and $34.6 million to date.

Rounding out the top twelve were Robert Downey Jr’s Sherlock Holmes ($2.63m), Sandra Bullock’s The Blind Side ($2.6m), and George Clooney’s Up in the Air ($2.35m).



The Oscar nominations announcement coupled with an increase in number of screens helped movies as diverse as Crazy Heart (580 more screens, a 58.1 percent increase), Carey Mulligan’s An Education (above, 915K at 686 more screens, a 668 percent increase), Colin Firth’s A Single Man ($631K at 137 more screens, a 14 percent increase), Gabourey Sidibe’s Precious ($440K at 447 more screens, a 104 percent increase), Helen Mirren’s The Last Station ($371K at 42 more screens, a 337 percent increase), and Michael Haneke’s The White Ribbon ($132K at 4 more screens, a 12.9 percent increase).

Up in the Air is playing at 117 more screens than last week. Even so, the comedy-drama dropped 16.7 percent; a relatively small reduction, but a reduction nevertheless. The Blind Side lost 11 screens and had a small 13.9 percent drop.

The Oscars seem to have made little — if any — difference to the weekend’s box-office performance of Avatar, The Princess and the Frog, Sherlock Holmes, The Lovely Bones, or Nine.

Photos: Dear John (Scott Garfield / Dear John, LLC); From Paris with Love (Nico Torres / Lionsgate); An Education (Kerry Brown / Sony Pictures Classics)


Source:altfg.com/

Ranking Meryl Streep's Oscar-nominated roles

Meryl Streep has been nominated for an Oscar a record 18,785,947 times. Well, close, anyway: she's received 15 Oscar nominations -- 12 for Best Actress and 3 for Best Supporting Actress -- which is more than any other performer in the history of the Academy Awards (she's won twice). And we might as well make that 16, because she's sure to be nominated for Best Actress for her 2009 performance as Julia Child in Julie & Julie. How do they stand up to the test of time? We run them down:

Not so bestest (in which Streep is the best thing in a movie that doesn't truly deserve her goddessness, or else makes otherwise mediocre material highly watchable):

Ironweed (1987)/nominated for Best Actress: Streep does alcoholism porn.

Postcards from the Edge (1990)/nominated for Best Actress: Streep does more substance-abuse porn.

The Bridges of Madison County (1995)/nominated for Best Actress: Streep does romance porn.

One True Thing (1998)/nominated for Best Actress: Streep does cancer porn.

Music of the Heart (1999)/nominated for Best Actress: Streep does education porn.

Medium bestest (in which Streep demonstrates her divinity by seducing you into honestly believing that the movie you're watching is hella better than it is):

Kramer vs. Kramer (1979)/won for Best Supporting Actress: Streep won, I think, for this melodrama because the Academy was stunned by a female character who lived her own life even though -- *gasp* -- she had a child.

The Devil Wears Prada (2006)/nominated for Best Actress: Streep's Wicked Witch of High Fashion is instantly iconic -- watch how she whispers, forcing everyone to get closer to her even though they hate her -- but this is basically a sitcom.

Doubt (2008)/nominated for Best Actress: Streep's mean ol' nun is a hoot, but the film lacks the power of the stage play it's based on.

Julie & Julia (2009)/anticipated nomination for Best Actress: Streep transcends impersonation to breath real life into a woman who had become more punch line than anything else; but she's a character who warrants her own movie, not half of one.

Almost bestest (in which the light of Streep-ness transcends other problems with a film):

The Deer Hunter (1978)/nominated for Best Supporting Actress: Great, great film, but Streep's role is so small -- the film isn't really about her character at all.

The French Lieutenant's Woman (1981)/nominated for Best Actress: Victorian romantic scandal! Plus movie-within-a-movie meta!

Silkwood (1983)/nominated for Best Actress: A beautiful portrait of a complex, flawed person who happens to be female and working class ... but the rest of the package is flawed.

A Cry in the Dark (1988)/nominated for Best Actress: A dingo ate her baby. Features the famous Streep aptitude for accents -- in this case, Australian.

Bestest bestest (perfect movies, with Streep's perfection the cherry on top):

Sophie's Choice (1982)/won for Best Actress: What is the long-term impact of war? The horrors are right here.

Out of Africa (1985)/nominated for Best Actress: One of the best movies about women ever, thanks to Streep's honesty and strength.

Adaptation (2002)/nominated for Best Supporting Actress: Streep is the author of the impossible-to-adapt book, and she's nothing like you'd expect, and everything individual and unconventional and human.

Our prediction: She'll win this year. Even if it isn't for one of her best movies -- one of her best performances, sure, but not one of her best movies. Because the Academy will finally wake up and realize it's been almost 30 years since the Best Actress Evah got an official recognition of such.

Source:seattlepi.com/

Oscar de la Renta!; Behind the scenes of Elisabeth’s job swap and see “Fashion Friday”

This Friday “The View” has something special stored for you. You get to watch the gorgeous Catherine Zeta-Jones talking about her Broadway musical plus you will taken behind the scenes of Elisabeth’s job swap and the biggest treat of them all – “Fashion Friday” with Oscar de la Renta.

Dominican/Puerto Rican, Oscar de la Renta is one of the world’s leading fashion designers
It all started in 1963, when in Paris, when Oscar realized that the future of fashion was not in haute couture, but in ready-to-wear – so he set off for America. But in New York, at the advice of Diana Vreeland, then Editor-in-Chief of Vogue, he returned to couture designing Elizabeth Arden’s custom-made clothing line. As Arden was known for beauty, not fashion, she promoted Oscar’s name on the label so that he was able to gain public recognition which paved the way for what was to become his own groundbreaking venture of the Oscar de la Renta signature ready-to-wear label, just two years down the road.

Oscar de la Renta’s Bridal collection, that was launched in 2008 gained huge recognition as the dresses featured extraordinary embroideries and beautiful fabrics, from silk duchess to French Alençon lace.

Oscar de la Renta is one of the leading design houses in the world today. The company has seen an influx of great young talent, as it continues to grow and expand as a global brand. His son-in-law Alex Bolen operates as Chief Executive Officer, step-daughter Eliza Bolen serves as Creative Director of Licensing, and his son Moises de la Renta works in the Design Studio.

Source:entertainmentandshowbiz.com/

Family's Oscar dream for star.

A TOWY Valley couple will be keeping their fingers crossed when the Oscar nominations are read out next week — because their niece Carey Mulligan is among the favourites to walk away with the Best Actress Award.
Twenty-four-year-old Carey has already been nominated for a Bafta for her role in An Education and is in the running for the Orange Rising Star award.
And if industry experts are to be believed, her name will also be on the Oscar shortlist when that is unveiled next Tuesday.
But despite being on the verge of becoming one of the biggest stars in Hollywood, Carey has not forgotten her roots and was in the Towy Valley over the festive period to see relatives.
Her mother Nano was born and bred in Llandeilo, and Carey's aunt and uncle, Haulwen and David Booth, said the Hollywood star was a huge fan of the area.
"She was back visiting her grandmother over the festive period and you would never tell she was one of the most up-and-coming stars in Hollywood," said Mr Booth.
"She visits quite regularly because she has got quite a lot of family in the Llandeilo and Llangadog areas."
Carey's late grandfather, Denzil Booth, is a former deputy head teacher of Ysgol Tregib, while grandmother Nansi is a former head of Welsh and geography at Ysgol Maes yr Yrfa.
"We've all got our fingers crossed for her, she's already done superbly," said Mr Booth, who lives in Gwynfe.
"It's wonderful that someone with links to the area has done so well."


Source:thisissouthwales.co.uk/

Tilda Swinton would play Conan O'Brien. Did you hear that, Oscar?

Remember when Conan O’Brien said he would like actress Tilda Swinton to play him in a movie about the NBC fiasco? Of course you do. Well, it looks like the cheeky actress is all for it. Yesterday, during an interview with Movieline, Swinton was asked if she would be willing to take on the challenge. She responded: “I would just be only too happy…Yes, yes, yes, absolutely.”

Sure, she may have been joking, but regardless, let’s just consider the awesomeness of a Swinton-as-O’Brien movie. (Even if I’m a little surprised O’Brien went with Swinton, and not Finland prez Tarja Halonen.) Do I smell Oscar? After all, not only does she look like the former Tonight Show host, but this dress would also look damn good accessorized with an “In the Year 2000″ collar.

But who else would you cast in a movie inspired by the NBC late-night fiasco? (And let’s think outside the box here — let’s not cast with The Late Shift alums.) Who would play Jay Leno? David Letterman? Jimmy Kimmel? And Jeff Zucker? (I vote Eric Stonestreet, Keith Carradine, Patton Oswalt, and Stephen Tobolowsky.)

Source:popwatch.ew.com

Oscar-winner Danny Boyle to return to theatre

Danny Boyle with his Oscar for best director at the 2009 Academy Awards. Photograph: Kevin Winter/Getty Images

He won eight Oscars for Slumdog Millionaire and huge acclaim for such stylish films as Trainspotting, 28 Days Later and Sunshine. But now, just when his cinematic success is at its most giddying, Danny Boyle is to return to his theatrical roots – having been, in his words, "distracted for 15 years by the movies".

Boyle will make his National Theatre debut next winter, directing an adaptation of Mary Shelley's novel Frankenstein, it was announced today.

According to the National's artistic director, Sir Nicholas Hytner, Boyle was one of the first artists he approached when he started at the theatre eight years ago. It was then that Boyle – over cake at a cafe – outlined his ideas about a Frankenstein production.

According to Hytner: "He has a very particular take … and he described to me in detail how he would make a theatrical event out of it … He wants to make a large-scale and visually ambitious event for our main stage."

At Boyle's suggestion, writer Nick Dear was commissioned to adapt the novel around "a central idea of Danny's", according to Hytner, though he would not say what this was. But it was only after Slumdog's Oscar success that Boyle told Hytner he was ready.

Speaking at the unveiling of the theatre's next season, Hytner said Shelley's novel interested Boyle because of the way it highlighted "the way we have messed around with our environment; the ethics of genetic engineering". The production, however, will not update Shelley's original 1818 novel to a contemporary setting.

Boyle is currently in Utah in the US directing his next film, 127 Hours, about a climber who becomes trapped under a boulder and must saw off his own arm to survive. He will start working in earnest on Frankenstein when the film is complete.

Theatregoers will have an opportunity to observe, in Hytner's words, "how a director with a very distinct personal style has been altered by 15 years in film".

Boyle was artistic director of the Theatre Upstairs, the second stage of the Royal Court theatre in London, from 1982-85, and deputy director of the main theatre from 1985-87.

There he directed plays such as Timberlake Wertenbaker's The Grace of Mary Traverse and an acclaimed production of Edward Bond's Saved. He also directed five productions for the Royal Shakespeare Company.

However, these productions tended to be small-scale, even when he worked at the RSC. Ibsen's The Pretenders was performed at the intimate Swan theatre in Stratford, as was Tirso de Molina's The Last Days of Don Juan and Ben Jonson's The Silent Woman.

Boyle's film career, meanwhile, has taken a trajectory from the low-budget Shallow Grave in 1994 to the polychrome fantasies of Slumdog Millionaire.

"As a movie director he's as happy carrying his camera around the slums of Mumbai as working on a vast set for a film like Sunshine. He has a big visual imagination," said Hytner, adding that when Boyle worked in theatre in the 1980s, "he wasn't a 'big' stage director".

Other highlights of the forthcoming season include Sir Peter Hall directing his daughter Rebecca Hall – who has a growing film reputation after starring in Woody Allen's Vicky Cristina Barcelona – as Viola in Twelfth Night.

Michael Grandage, artistic director of the Donmar Warehouse theatre, will make his National debut with Georg Büchner's Danton's Death. Welcome to Thebes, a new work by Moira Buffini for the theatre's Olivier stage, will be directed by Sir Richard Eyre.

Rupert Goold, who had a hit with Lucy Prebble's Enron, will work on a new drama by Mike Bartlett called Earthquakes in London, and Handspring, the puppet company behind the National hit War Horse, will return with a new piece devised and directed by Neil Bartlett.

Encore for Sir Peter HallAs Danny Boyle makes his National debut next winter, the theatre will also be welcoming back an old friend: Sir Peter Hall, its artistic director from 1973-88. To celebrate his 80th birthday, Hall will direct his daughter Rebecca Hall as Viola in Twelfth Night, in the intimate Cottesloe Theatre.

His last production at the National was Euripides' Bacchae, in 2002; Twelfth Night will be his first show there under the artistic directorship of Sir Nicholas Hytner. "He has not worked here for far too long, and that's my fault," said Hytner.

Hytner paid tribute to Hall as "one of the great Shakespeareans", adding: "None of my generation would be here without him."

A mighty force in British theatre, who has worked with everyone from Edith Evans and Laurence Olivier to today's emerging actors, Peter Hall founded the Royal Shakespeare Company in 1960, running it until 1968. He is now the director of the Rose Theatre in Kingston.

Rebecca Hall, 27, has been making an increasing mark as a screen actor, latterly in Woody Allen's Vicky Cristina Barcelona but also in Starter for 10, opposite James McAvoy, and The Prestige, directed by Christopher Nolan. As a 10-year-old she appeared in the TV series The Camomile Lawn.

Halls père et fille have worked together before, including on a production of As You Like It (2005) in which Rebecca played Rosalind (like Viola, a role that requires cross-dressing).

Twelfth Night was among the plays her father first took on as a young professional director – in 1954, for the Oxford Stage Company.

• This article was amended on 22 January 2010. The original sited the Rose Theatre in Richmond. This has been corrected.

Source:guardian.co.uk/
 
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